Goodbye Cruel World: Difference between revisions
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[[Image:GCW_album_cover_large.jpg|thumb|260px|right|Goodbye Cruel World, 1984]] | [[Image:GCW_album_cover_large.jpg|thumb|260px|right|Goodbye Cruel World, 1984]] | ||
'' | ''From the Rhino liner notes:''<br> | ||
"It seems I wasn’t exactly in a cheerful and optimistic mood when I made this album and that hadn’t really changed by the time the disc was first reissued. Now, with the benefit of a little more distance, I am able to say that it is probably the worst record that I could have made of a decent bunch of songs. I hope, for the sake of those who cared for it in the first place, that this edition will go some way to making them feel a little better about their purchase. That’s if any of them ever read this little note… | |||
Although the title was meant with black humour, I used to quit about once a week in those days (I still do). My first marriage finally collapsed between the recording and the release of this album, so it is not hard to imagine where some of the desperation in the lyrics originated. | |||
I’ve previously made much of the fact that I almost completely thwarted the efforts of my producers, Clive Langer and Alan Winstanley, and it is true to say that they were probably ill-equipped for dealing with someone of my temperament at that time. A nurse with a large sedative syringe might have been more appropriate. | |||
“Langer and Winstanley” are widely associated with a huge run of successful pop recordings throughout the 1980s, beginning with Madness and taking in Dexy’s Midnight Runners and our own Punch The Clock. They did develop certain techniques that defined their “sound”, but this is to ignore that London-born Clive is also a witty and talented composer (the music of “Shipbuilding” is entirely his), who had begun his career in the vibrant post-punk, art-school band scene in Liverpool and that Alan had engineered the early records of the might Buzzcocks, among many others. | |||
==Tracks== | |||
'''Side 1:'''<br> | |||
01. '''[[The Only Flame In Town]]''' (4:02)<br> | |||
02. '''[[Home Truth]]''' (3:13)<br> | |||
03. '''[[Room With No Number]]''' (4:13)<br> | |||
04. '''[[Inch By Inch]]''' (2:29)<br> | |||
05. '''[[Worthless Thing]]''' (3:04)<br> | |||
06. '''[[Love Field]]''' (3:26)<br> | |||
'''Side 2:'''<br> | |||
07. '''[[I Wanna Be Loved]]''' [Farnell Jenkins] (4:48)<br> | |||
08. '''[[The Comedians]]''' (2:36)<br> | |||
09. '''[[Joe Porterhouse]]''' (3:30)<br> | |||
10. '''[[Sour Milk Cow Blues]]''' (2:50)<br> | |||
11. '''[[The Great Unknown]]''' (3:00)<br> | |||
12. '''[[The Deportees Club]]''' (2:54)<br> | |||
13. '''[[Peace In Our Time]]''' (4:05)<br> | |||
==Credits== | ==Credits== | ||
* Produced by: '''[[ ]]''' and '''[[ ]]''' | * Produced by: '''[[Clive Langer]]''' and '''[[Alan Winstanley]]''' | ||
* Musicians: | * Musicians: | ||
:'''[[Elvis Costello]]''' - [[Singers|vocals]] | :'''[[Elvis Costello]]''' - [[Singers|vocals]], [[Guitarists|guitar]] & anvil | ||
:'''[[Steve Nieve]]''' - [[Keyboardists| | :'''[[Steve Nieve|Maurice Worm]]''' (Steve Nieve) - [[Keyboardists|Random Racket]] (keyboards) | ||
:'''[[Bruce Thomas]]''' - [[Bassists|bass]] | :'''[[Bruce Thomas]]''' - [[Bassists|bass]] | ||
:'''[[Pete Thomas]]''' - [[Drummers|drums]] | :'''[[Pete Thomas]]''' - [[Drummers|drums]] | ||
:'''[[Gary Barnacle]]''' - [[Saxophonists|saxes & electric sax.]] | |||
:'''[[Jim Paterson]]''' - [[Trombonists|trombone]] | |||
:'''[[Luis Jardim]]''' - [[Percussionists|percussion]] | |||
:'''[[Daryl Hall]]''' - [[Singers|vocals]] on [[The Only Flame In Town]] | |||
:'''[[Green Gartside]]''' - [[Singers|vocals]] on [[I Wanna Be Loved]] | |||
Revision as of 02:14, 24 May 2006
From the Rhino liner notes:
"It seems I wasn’t exactly in a cheerful and optimistic mood when I made this album and that hadn’t really changed by the time the disc was first reissued. Now, with the benefit of a little more distance, I am able to say that it is probably the worst record that I could have made of a decent bunch of songs. I hope, for the sake of those who cared for it in the first place, that this edition will go some way to making them feel a little better about their purchase. That’s if any of them ever read this little note…
Although the title was meant with black humour, I used to quit about once a week in those days (I still do). My first marriage finally collapsed between the recording and the release of this album, so it is not hard to imagine where some of the desperation in the lyrics originated.
I’ve previously made much of the fact that I almost completely thwarted the efforts of my producers, Clive Langer and Alan Winstanley, and it is true to say that they were probably ill-equipped for dealing with someone of my temperament at that time. A nurse with a large sedative syringe might have been more appropriate.
“Langer and Winstanley” are widely associated with a huge run of successful pop recordings throughout the 1980s, beginning with Madness and taking in Dexy’s Midnight Runners and our own Punch The Clock. They did develop certain techniques that defined their “sound”, but this is to ignore that London-born Clive is also a witty and talented composer (the music of “Shipbuilding” is entirely his), who had begun his career in the vibrant post-punk, art-school band scene in Liverpool and that Alan had engineered the early records of the might Buzzcocks, among many others.
Tracks
Side 1:
01. The Only Flame In Town (4:02)
02. Home Truth (3:13)
03. Room With No Number (4:13)
04. Inch By Inch (2:29)
05. Worthless Thing (3:04)
06. Love Field (3:26)
Side 2:
07. I Wanna Be Loved [Farnell Jenkins] (4:48)
08. The Comedians (2:36)
09. Joe Porterhouse (3:30)
10. Sour Milk Cow Blues (2:50)
11. The Great Unknown (3:00)
12. The Deportees Club (2:54)
13. Peace In Our Time (4:05)
Credits
- Produced by: Clive Langer and Alan Winstanley
- Musicians:
- Elvis Costello - vocals, guitar & anvil
- Maurice Worm (Steve Nieve) - Random Racket (keyboards)
- Bruce Thomas - bass
- Pete Thomas - drums
- Gary Barnacle - saxes & electric sax.
- Jim Paterson - trombone
- Luis Jardim - percussion
- Daryl Hall - vocals on The Only Flame In Town
- Green Gartside - vocals on I Wanna Be Loved
Original discography pages
- Home Page discography page | A01 | A02 |
- Singles: S01 | S02 | S03 | S04 | S05 | S06 | S07 | S08 | S09 | S10 | S11 | S12 | S13 | S14 | S15 | S16
