I (newspaper), October 29, 2020: Difference between revisions

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{{:UK & Ireland newspapers index}}
{{:UK & Ireland newspapers index}}
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<center><h3>Elvis Costello, ''Hey Clockface'', review: an ambitious, eclectic thrill</h3></center>
<center><h3> Hey Clockface: An ambitious, eclectic thrill </h3></center>
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<center>Paul Goggins </center>
<center> Paul Goggins </center>
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{{3stars}}<br>
'''This may be his 31st record, but it is as ambitious as ever<br>
'''This may be his 31st record, but it is as ambitious as ever'''
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{{Bibliography text}}
{{Bibliography text}}
You might think you have the measure of Elvis Costello by now: this is the 31st record of his career, and the sixth decade in which he has released one.
You might think you have the measure of Elvis Costello by now: this is the 31st record of his career, and the sixth decade in which he has released one.


Still, you probably wouldn’t have foreseen his latest opening with an Arabic-tinged instrumental, Revolution #49, over the top of which he delivers dramatic spoken word: ''Love is the one thing we can save''.”
Still, you probably wouldn't have foreseen his latest opening with an Arabic-tinged instrumental, "Revolution #49," over the top of which he delivers dramatic spoken word: ''"Love is the one thing we can save."''


It sets the tone for the rest of ''Hey Clockface''. Recorded at solo sessions in Helsinki and more collaborative ones in Paris, it is unquestionably one of the singer-songwriter’s more eclectic efforts.
It sets the tone for the rest of ''Hey Clockface''. Recorded at solo sessions in Helsinki and more collaborative ones in Paris, it is unquestionably one of the singer-songwriter's more eclectic efforts.


There are flashes of the jagged punk of old, particularly on the spiky No Flag, but elsewhere, Costello finds room for gentle acoustic reflection (They’re Not Laughing at Me Now), noir-ish jazz (I Do), gospel-blues fusion (We Are All Cowards Now) and even funk rock (Hetty O’Hara Confidential).
There are flashes of the jagged punk of old, particularly on the spiky No Flag, but elsewhere, Costello finds room for gentle acoustic reflection ("They're Not Laughing at Me Now"), noir-ish jazz ("I Do"), gospel-blues fusion ("We Are All Cowards Now") and even funk rock ("Hetty O'Hara Confidential").


Not everything comes off, but what a thrill to see him on such ambitious form after all these years.
Not everything comes off, but what a thrill to see him on such ambitious form after all these years.
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{{tags}}[[Hey Clockface]] {{-}} [[Revolution #49]] {{-}} [[Helsinki]] {{-}} [[Paris]] {{-}} [[No Flag]] {{-}} [[They're Not Laughing At Me Now]] {{-}} [[I Do (Zula's Song)]] {{-}} [[We Are All Cowards Now]] {{-}} [[Hetty O'Hara Confidential]]  
 
{{tags}}[[Hey Clockface]] {{-}} [[Revolution No. 49|Revolution #49]] {{-}} [[No Flag]] {{-}} [[They're Not Laughing At Me Now]] {{-}} [[I Do (Zula's Song)]] {{-}} [[We Are All Cowards Now]] {{-}} [[Hetty O'Hara Confidential]] {{-}} [[Helsinki]] {{-}} [[Paris]]
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'''i (newspaper), October 29, 2020
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[[image:2016-06-09 New York photo 04 lb.jpg|380px]]
[[image:Hey Clockface album cover.jpg|180px|border|link=Hey Clockface]]
<br><small><!--Elvis Costello is on the 31st record of his career -->Photo credit: [[Larry Busacca]]/Getty</small>
 
[[image:Hey Clockface album cover.jpg|x200px|link=Hey Clockface]]<br>


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Latest revision as of 23:49, 24 September 2021

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i (newspaper)

UK & Ireland newspapers

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Hey Clockface: An ambitious, eclectic thrill


Paul Goggins

This may be his 31st record, but it is as ambitious as ever
3 stars (out of 5) reviews3 stars (out of 5) reviews3 stars (out of 5) reviews3 stars (out of 5) reviews3 stars (out of 5) reviews

You might think you have the measure of Elvis Costello by now: this is the 31st record of his career, and the sixth decade in which he has released one.

Still, you probably wouldn't have foreseen his latest opening with an Arabic-tinged instrumental, "Revolution #49," over the top of which he delivers dramatic spoken word: "Love is the one thing we can save."

It sets the tone for the rest of Hey Clockface. Recorded at solo sessions in Helsinki and more collaborative ones in Paris, it is unquestionably one of the singer-songwriter's more eclectic efforts.

There are flashes of the jagged punk of old, particularly on the spiky No Flag, but elsewhere, Costello finds room for gentle acoustic reflection ("They're Not Laughing at Me Now"), noir-ish jazz ("I Do"), gospel-blues fusion ("We Are All Cowards Now") and even funk rock ("Hetty O'Hara Confidential").

Not everything comes off, but what a thrill to see him on such ambitious form after all these years.


Tags: Hey ClockfaceRevolution #49No FlagThey're Not Laughing At Me NowI Do (Zula's Song)We Are All Cowards NowHetty O'Hara ConfidentialHelsinkiParis

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i (newspaper), October 29, 2020


Joe Goggins reviews Hey Clockface.

Images

Hey Clockface album cover.jpg

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