St. Petersburg Times index: Difference between revisions

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(+June 14, 1991)
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*[[St. Petersburg Times, May 16, 1978|1978 May 16]]
*[[St. Petersburg Times, May 16, 1978|1978 May 16]]
*[[St. Petersburg Times, October 13, 1978|1978 October 13]]
*[[St. Petersburg Times, October 13, 1978|1978 October 13]]
*[[St. Petersburg Times, March 25, 1994|1994 March 25]]
*[[St. Petersburg Times, June 14, 1991|1991 June 14]][http://pqasb.pqarchiver.com/tampabay/doc/262813042.html {{t}}]
*[[St. Petersburg Times, March 25, 1994|1994 March 25]][http://pqasb.pqarchiver.com/tampabay/doc/263027845.html {{t}}]
*[[St. Petersburg Times, June 17, 2001|2001 June 17]][http://www.sptimes.com/News/061701/news_pf/Floridian/Audio_Files.shtml {{t}}]
*[[St. Petersburg Times, June 17, 2001|2001 June 17]][http://www.sptimes.com/News/061701/news_pf/Floridian/Audio_Files.shtml {{t}}]
*[[St. Petersburg Times, August 26, 2001|2001 August 26]]
*[[St. Petersburg Times, August 26, 2001|2001 August 26]]
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http://pqasb.pqarchiver.com/tampabay/doc/262813042.html
June 14, 1991
A MIGHTY FINE EFFORT Series: AUDIO FILES
HELEN A.S. POPKIN
After three albums, Elvis Costello had already proved that he is a prodigy, like Mozart or the original Elvis. Unlike Mozart, Costello was not afforded the luxury of dying at the peak of his creativity, but with Mighty Like a Rose, it is doubtful he will be playing Vegas lounges anytime soon.
"Despite the contradiction and confusion/Felt tragic without reason/There's malice and magic in every season," from the first verse of the first song, The Other Side of Summer, not only exemplifies Costello's inimitable ability to combine free-flowing lyricism with dark overtones, but it is an apt summation of his career-long flirtation with angry isolationism.
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Revision as of 07:54, 23 April 2016