Rolling Stone, November 3, 1977: Difference between revisions
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<center><h3>The Elvis Costello that no one knows </h3></center> | <center><h3> The Elvis Costello that no one knows </h3></center> | ||
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<center> ''Rolling Stone </center> | <center> ''Rolling Stone </center> | ||
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London — In less than six months and without anyone mentioning the word "hype," a fellow with the unlikely name of Elvis Costello has made the jump from total anonymity to the British Top-Twenty album charts. And, in the process, he has collected a demonstrative cult following. | |||
In the prevailing British musical climate, where the punk phenomenon seemingly spawns new heroes overnight, Costello's success has been all the more remarkable because his music smart, snappy, good-time rock songs places him well beyond the conventions of punk. And, with his horn-rimmed glasses, business suit and slim-Jim tie, Costello resembles nothing less than a computer operator which is exactly what he was until four months ago. | In the prevailing British musical climate, where the punk phenomenon seemingly spawns new heroes overnight, Costello's success has been all the more remarkable because his music smart, snappy, good-time rock songs places him well beyond the conventions of punk. And, with his horn-rimmed glasses, business suit and slim-Jim tie, Costello resembles nothing less than a computer operator which is exactly what he was until four months ago. | ||
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'''Rolling Stone, No. 251, November 3, 1977 | '''Rolling Stone, No. 251, November 3, 1977 | ||
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Revision as of 07:04, 23 October 2013
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