St. Petersburg Times index: Difference between revisions

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*[[St. Petersburg Times, May 26, 2002|2002 May 26]]
*[[St. Petersburg Times, May 26, 2002|2002 May 26]]
*[[St. Petersburg Times, July 24, 2002|2002 July 24]][http://www.sptimes.com/2002/07/24/Artsandentertainment/Elvis_Costello_coming.shtml {{t}}]
*[[St. Petersburg Times, July 24, 2002|2002 July 24]][http://www.sptimes.com/2002/07/24/Artsandentertainment/Elvis_Costello_coming.shtml {{t}}]
*[[St. Petersburg Times, October 31, 2002|2002 October 31]][http://www.sptimes.com/2002/10/31/Weekend/Elvis_gets__rowdy_.shtml {{t}}][http://www.sptimes.com/2002/10/31/Weekend/CD_review.shtml {{t}}]
*[[St. Petersburg Times, October 31, 2002|2002 October 31]][https://web.archive.org/web/20030321141435/http://www.sptimes.com/2002/10/31/Weekend/CD_review.shtml {{t}}][https://web.archive.org/web/20040928222817/http://www.sptimes.com/2002/10/31/news_pf/Weekend/Elvis_gets__rowdy_.shtml {{t}}]
*[[St. Petersburg Times, November 4, 2002|2002 November 4]]
*[[St. Petersburg Times, November 4, 2002|2002 November 4]]
*[[St. Petersburg Times, December 4, 2003|2003 December 4]][http://www.sptimes.com/2003/12/04/Artsandentartainment/Elvis_Costello_to_pla.shtml {{t}}]
*[[St. Petersburg Times, December 4, 2003|2003 December 4]][http://www.sptimes.com/2003/12/04/Artsandentartainment/Elvis_Costello_to_pla.shtml {{t}}]
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Notes:
Notes:
October 31, 2002
http://www.sptimes.com/2002/10/31/news_pf/Weekend/Elvis_gets__rowdy_.shtml
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http://pqasb.pqarchiver.com/tampabay/doc/262813042.html
June 14, 1991
A MIGHTY FINE EFFORT Series: AUDIO FILES
HELEN A.S. POPKIN
After three albums, Elvis Costello had already proved that he is a prodigy, like Mozart or the original Elvis. Unlike Mozart, Costello was not afforded the luxury of dying at the peak of his creativity, but with Mighty Like a Rose, it is doubtful he will be playing Vegas lounges anytime soon.
"Despite the contradiction and confusion/Felt tragic without reason/There's malice and magic in every season," from the first verse of the first song, The Other Side of Summer, not only exemplifies Costello's inimitable ability to combine free-flowing lyricism with dark overtones, but it is an apt summation of his career-long flirtation with angry isolationism.
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