Manchester Evening News, February 21, 2005: Difference between revisions
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Joined by The Imposters, the veteran rocker strides on to stage promptly at 7.30pm and makes an energetic start: one sadly muffled by the immensity of The Bridgewater Hall. | Joined by The Imposters, the veteran rocker strides on to stage promptly at 7.30pm and makes an energetic start: one sadly muffled by the immensity of The Bridgewater Hall. | ||
It is a heartfelt rendition of ballad "Country Darkness" — from his current release — that sets the tone for the two-hour set. Pete Thomas (drums), Davey Faragher (bass) and Steve Nieve (keyboards) soar through a surging "Needle Time" and title track, "The Delivery Man." And Costello — donning a black suit set off by a pair of shimmering silver shoes — begins to flaunt his harmonic mastery, making a brief return to his back catalogue to demonstrate the fragile melodicism of "In the Darkest Place" (from ''Painted From Memory'') before a crowd pleasing "Good Year For The Roses" from his 1981 | It is a heartfelt rendition of ballad "Country Darkness" — from his current release — that sets the tone for the two-hour set. Pete Thomas (drums), Davey Faragher (bass) and Steve Nieve (keyboards) soar through a surging "Needle Time" and title track, "The Delivery Man." And Costello — donning a black suit set off by a pair of shimmering silver shoes — begins to flaunt his harmonic mastery, making a brief return to his back catalogue to demonstrate the fragile melodicism of "In the Darkest Place" (from ''Painted From Memory'') before a crowd pleasing "Good Year For The Roses" from his 1981 ''Almost Blue'' album. | ||
Hecklers spur the ex-Stiff Records star into some much-needed interaction: "Go back to St Helens," he jokes, adding, "Who's from Eccles? (cheers) Bury? (more cheers)." | Hecklers spur the ex-Stiff Records star into some much-needed interaction: "Go back to St Helens," he jokes, adding, "Who's from Eccles? (cheers) Bury? (more cheers)." |