USC Daily Trojan, August 28, 1984

Bibliography   72 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UK & Ireland weeklies UK & Ireland magazines UK & Ireland newspapers US newspapers US rock magazines US music magazines US magazines US alternative weeklies European magazines European newspapers Canada  •  Mexico  •  Asia Australia  •  New Zealand South America  •  Africa Blogs  •  Fanzines  •  Books Online publications Daily Trojan index Newspapers   The Australian Belgium Soir Berliner Zeitung Cleveland Scene Columbus Dispatch Connecticut Post Correio da Manhã Corriere della Sera Le Figaro Financial Times Gazeta Wyborcza Hamburger Abendblatt Irish Examiner Irish Independent Irish Press Irish Times Kölner Stadt-Anzeiger Liverpool Echo London Daily Mail London Evening Standard London Guardian London Independent London Observer London Telegraph London Times Los Angeles Herald-Examiner Louisville Courier-Journal Mail & Guardian Marin Independent Journal Mail Tribune Melbourne Age El Mundo Neue Zürcher Zeitung New Zealand Herald Otago Daily Times El Pais Philadelphia Inquirer Pittsburgh Post-Gazette Pittsburgh Tribune-Review La Presse Providence Journal Radikal Reading Eagle la Repubblica Satakunnan Kansa South China Morning Post Der Spiegel La Stampa Der Standard St. Petersburg Independent St. Petersburg Times Süddeutschen Zeitung Svenska Dagbladet Trondheim Adresseavisen Trouw De Volkskrant La Voz de Galicia Wanganui Herald Wiener Zeitung Die Zeit — Goodbye Cruel World Elvis Costello Chris Willman Don't be so sure Elvis isn't angry anymore; he's just cloaked that bitterness in an ever-increasing curtain of wordplay and thick arrangements. But the thickness has become downright impenetrable on most of his tenth and most disappointing LP. The horns that gave the punch to Punch the Clock are mostly absent, and the absence of former pianist Steve Nieve has left its toll. The lyrical obscurity that used to be tantalizing is now just maddening, though the sketches of desperate domestic life — "The Comedians," "Joe Porterhouse," "Home Truth" and "Room Without a Number" — still pack a clever wallop. Even Costello's weakest stuff, it should be pointed out, beats the best that almost anyone else in pop has to offer. Olympics couldn’t kill L.A. music Chris Willman Extract: So maybe it was technically spring, but the early May appearance of Elvis Costello and T-Bone Burnett, both solo and acoustic, at the Amphitheatre was an unbeatable way to start the summer for students during finals week. Costello's lone renditions of such new songs as "The Only Flame in Town" and "Inch by Inch" preceded — and ultimately overshadowed — their fully-arranged versions on the new album, and the duets with John Hiatt (on his "She Loves the Jerk") and the wry-as-always Burnett were moments to treasure (and bootleg — thank heaven for tiny tape recorders). Costello's cover versions of such country standards as "Ragged But Right" and "She Thinks I Still Care" went over particularly well here in L.A., the cow-punk capital of the country. Daily Trojan, August 28, 1984 Chris Willman reviews Goodbye Cruel World and reports on EC solo and with T Bone Burnett and guest John Hiatt, Tuesday, May 1, 1984, Universal Amphitheatre, Universal City, CA. Images File:1984-08-28 Daily Trojan clipping 02.jpg Clippings.

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