Musician, November 1984: Difference between revisions
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{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3> Every Man Has A Woman Who Loves Him </h3></center> | <center><h3> Every Man Has A Woman Who Loves Him </h3></center> | ||
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<center> Roy Trakin </center> | <center> Roy Trakin </center> | ||
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''' Various artists | |||
{{Bibliography text}} | {{Bibliography text}} | ||
Whatever one thinks of Yoko Ono — sorceress/ saint, dabbler/genius, bearer/exploiter of her late husband's legacy — this album sounds more vital, varied and with-it than anything recently released by any other ex-Beatle recently. And make no mistake about it, Yoko Ono is an ex-Beatle, perhaps The Ex-Beatle, toiling in the Fab Four's shadow every bit as much as Paul, George or Ringo. | Whatever one thinks of Yoko Ono — sorceress/ saint, dabbler/genius, bearer/exploiter of her late husband's legacy — this album sounds more vital, varied and with-it than anything recently released by any other ex-Beatle recently. And make no mistake about it, Yoko Ono is an ex-Beatle, perhaps The Ex-Beatle, toiling in the Fab Four's shadow every bit as much as Paul, George or Ringo. | ||
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The rest of the record offers marvelously eclectic interpretations, from Eddie Money's AORave-up on "I'm Moving On" through Rosanne Cash's gently faithful crooning of "Nobody Sees Me Like You Do" to Elvis Costello's TKO Horn-punctuated soul reading of the dynamic "Walking On Thin Ice." Yoko's avant-annoying side is also given full rein on the ''synthetique concrete'' of "Dogtown," submitted by a novice L.A. artist named Gui Manganiello under the name Alternating Boxes, along with a robot ''manqué'' version of "Wake Up," performed by the Klaus Voorman-recommended German loonies, Trio. And while the album first summons the memory of Yoko's late husband, it ends very much in the present, as son Sean's improvisatory rap on "It's Alright" reaffirms life in the wake of loss. | The rest of the record offers marvelously eclectic interpretations, from Eddie Money's AORave-up on "I'm Moving On" through Rosanne Cash's gently faithful crooning of "Nobody Sees Me Like You Do" to Elvis Costello's TKO Horn-punctuated soul reading of the dynamic "Walking On Thin Ice." Yoko's avant-annoying side is also given full rein on the ''synthetique concrete'' of "Dogtown," submitted by a novice L.A. artist named Gui Manganiello under the name Alternating Boxes, along with a robot ''manqué'' version of "Wake Up," performed by the Klaus Voorman-recommended German loonies, Trio. And while the album first summons the memory of Yoko's late husband, it ends very much in the present, as son Sean's improvisatory rap on "It's Alright" reaffirms life in the wake of loss. | ||
If anybody still takes the spirit of what the Beatles and John Lennon represented seriously, it's the much maligned Yoko Ono. "A dream we dream together... is reality," sings the all-children Spirit Choir on "Now Or Never." No, the dream isn't over; thank Yoko for keeping it alive. | If anybody still takes the spirit of what the Beatles and John Lennon represented seriously, it's the much maligned Yoko Ono. ''"A dream we dream together... is reality,"'' sings the all-children Spirit Choir on "Now Or Never." No, the dream isn't over; thank Yoko for keeping it alive. | ||
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{{tags}}[[Every Man Has A Woman]] {{-}} [[Yoko Ono]] {{-}} [[The Beatles]] {{-}} [[John Lennon]] {{-}} [[Paul McCartney]] {{-}} [[ | {{tags}}[[Every Man Has A Woman]] {{-}} [[Walking On Thin Ice]] {{-}} [[The TKO Horns]] {{-}} [[Yoko Ono]] {{-}} [[The Beatles]] {{-}} [[John Lennon]] {{-}} [[Paul McCartney]] {{-}} [[Ringo Starr]] {{-}} [[George Harrison]] {{-}} [[Eddie Money]] {{-}} [[Rosanne Cash]] {{-}} [[Tracie]] {{-}} [[(I Love You) When You Sleep]] {{-}} [[Tracie: Far From The Hurting Kind|Far From The Hurting Kind]] | ||
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[[Category:Magazine articles]] | [[Category:Magazine articles]] | ||
[[Category:Album reviews]] | [[Category:Album reviews]] | ||
[[Category:Every Man Has A Woman reviews]] |
Latest revision as of 14:23, 11 May 2023
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