Manchester Evening News, November 16, 1999: Difference between revisions

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{{Bibliography article header}}
{{Bibliography article header}}
<center><h3> Triumph as modern Elvis shows his aim is still true </h3></center>
<center><h3> Triumph as modern Elvis shows his aim is still true </h3></center>
<center>''' Elvis Costello''' / Palace Theatre </center>
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<center>Kevin Bourke</center>
<center> Kevin Bourke </center>
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'''Elvis Costello''' <br>
Palace Theatre
{{Bibliography text}}
{{Bibliography text}}
Very few modern pop artists have managed to delight, infuriate, intrigue and provoke quite so consistently as Elvis Costello over the last three decades. Perhaps only Dylan, Morrison and Young can boast quite such a catalogue of complexity and yet still he continues to rage against the complacency of so much modern popular music and to refuse to stand still.
Very few modern pop artists have managed to delight, infuriate, intrigue and provoke quite so consistently as Elvis Costello over the last three decades. Perhaps only Dylan, Morrison and Young can boast quite such a catalogue of complexity and yet still he continues to rage against the complacency of so much modern popular music and to refuse to stand still.


Last night, accompanied just by Steve Nieve on the keyboards as he was at the [[Concert 1999-04-18 Manchester|Apollo]] several months ago, Costello proceeded to gleefully reinvent vast chunks of his back catalogue whilst also treating us to a bevy of new material from the numerous projects he's currently working on. This included a songcycle called ''[[The Delivery Man]]'', a film called ''[[Prison Song]]'' and some plain and simple new songs.
Last night, accompanied just by Steve Nieve on the keyboards as he was at the Apollo several months ago, Costello proceeded to gleefully reinvent vast chunks of his back catalogue whilst also treating us to a bevy of new material from the numerous projects he's currently working on. This included a songcycle called ''The Delivery Man'', a film called ''Prison Song'' and some plain and simple new songs.


Typically, Costello took the stage in semi-darkness, laying into a raucously confrontational affair called "[[Alibi]]."
Typically, Costello took the stage in semi-darkness, laying into a raucously confrontational affair called "Alibi."


Costello and Nieve stunned the audience again with a relatively familiar tune, the "[[Man Out Of Time]]" from his lush ''Imperial Bedroom'' period, remodelled and stripped back to a state where it resembled nothing so much as the spooky sort of thing you might expect to hear accompanying an old black and white film chiller.
Costello and Nieve stunned the audience again with a relatively familiar tune, the "Man Out Of Time" from his lush ''Imperial Bedroom'' period, remodelled and stripped back to a state where it resembled nothing so much as the spooky sort of thing you might expect to hear accompanying an old black and white film chiller.


So it continued, with the audience not so much comforted by a stroll through some familiar favourites from Costello's older albums as expected to engage with those songs quite as vigorously as the artist himself seems determined to do.
So it continued, with the audience not so much comforted by a stroll through some familiar favourites from Costello's older albums as expected to engage with those songs quite as vigorously as the artist himself seems determined to do.


This approach could only too easily have antagonised but was accomplished instead with such a likeably self-deprecating and good humoured attitude that Elvis emerged unbowed and triumphant.
This approach could only too easily have antagonised but was accomplished instead with such a likeably self-deprecating and good-humoured attitude that Elvis emerged unbowed and triumphant.


His aim, it seems clear, is still true.
His aim, it seems clear, is still true.


{{cx}}
{{tags}}[[Concert 1999-11-15 Manchester|Palace Theatre]] {{-}} [[Manchester]] {{-}} [[Steve Nieve]] {{-}} [[Alibi]] {{-}} [[Man Out Of Time]] {{-}} [[The Delivery Man]] {{-}} [[Prison Song]] {{-}} [[Oh Well]] {{-}} [[Soul For Hire]] {{-}} [[Lesson In Cruelty]] {{-}} [[Burnt Sugar Is So Bitter]] {{-}} [[I Dreamed Of My Old Lover]] {{-}} [[Heart Shaped Bruise]] {{-}} [[Bob Dylan]] {{-}} [[Van Morrison]] {{-}} [[Neil Young]] {{-}} [[Concert 1999-04-18 Manchester|Apollo Theatre (Manchester)]] {{-}} [[Imperial Bedroom]]
{{cx}}
{{cx}}


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{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
|prev = Manchester Evening News, October 29, 1996
|next = Manchester Evening News, September 12, 2002
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'''Manchester Evening News, November 16, 1999
'''Manchester Evening News, November 16, 1999
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Manchester Evening News

UK & Ireland newspapers

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Triumph as modern Elvis shows his aim is still true


Kevin Bourke

Elvis Costello
Palace Theatre

Very few modern pop artists have managed to delight, infuriate, intrigue and provoke quite so consistently as Elvis Costello over the last three decades. Perhaps only Dylan, Morrison and Young can boast quite such a catalogue of complexity and yet still he continues to rage against the complacency of so much modern popular music and to refuse to stand still.

Last night, accompanied just by Steve Nieve on the keyboards as he was at the Apollo several months ago, Costello proceeded to gleefully reinvent vast chunks of his back catalogue whilst also treating us to a bevy of new material from the numerous projects he's currently working on. This included a songcycle called The Delivery Man, a film called Prison Song and some plain and simple new songs.

Typically, Costello took the stage in semi-darkness, laying into a raucously confrontational affair called "Alibi."

Costello and Nieve stunned the audience again with a relatively familiar tune, the "Man Out Of Time" from his lush Imperial Bedroom period, remodelled and stripped back to a state where it resembled nothing so much as the spooky sort of thing you might expect to hear accompanying an old black and white film chiller.

So it continued, with the audience not so much comforted by a stroll through some familiar favourites from Costello's older albums as expected to engage with those songs quite as vigorously as the artist himself seems determined to do.

This approach could only too easily have antagonised but was accomplished instead with such a likeably self-deprecating and good-humoured attitude that Elvis emerged unbowed and triumphant.

His aim, it seems clear, is still true.


Tags: Palace TheatreManchesterSteve NieveAlibiMan Out Of TimeThe Delivery ManPrison SongOh WellSoul For HireLesson In CrueltyBurnt Sugar Is So BitterI Dreamed Of My Old LoverHeart Shaped BruiseBob DylanVan MorrisonNeil YoungApollo Theatre (Manchester)Imperial Bedroom

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Manchester Evening News, November 16, 1999


Kevin Bourke reviews Elvis Costello and Steve Nieve, Monday, November 15, 1999, Palace Theatre, Manchester, England.


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