Salina Journal, March 1, 1981: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
(+remaining text)
(formatting)
 
(5 intermediate revisions by the same user not shown)
Line 3: Line 3:
{{:Salina Journal index}}
{{:Salina Journal index}}
{{:Kansas publications index}}
{{:Kansas publications index}}
{{:US publications by state index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center><h3> Elvis Costello is back on the rock scene </h3></center>
<center><h3> Elvis Costello is back on the rock scene </h3></center>
Line 9: Line 10:
----
----
{{Bibliography text}}
{{Bibliography text}}
We haven't seen much of Elvis Costello on this continent lately, aside from his appearance at Canada's Heat Wave Festival in [[Concert 1980-08-23 Bowmanville|August]], which makes his sudden plunge back into the concert scene all that much more surprising. But then again, Costello's never been one to conform to anybody's expectations.
We haven't seen much of Elvis Costello on this continent lately, aside from his appearance at Canada's Heatwave Festival in [[Concert 1980-08-23 Bowmanville|August]], which makes his sudden plunge back into the concert scene all that much more surprising. But then again, Costello's never been one to conform to anybody's expectations.


His absence from North America since the ''Armed Forces'' tour seems the result of incidents on that last tour, which found Costello fending off charges of being a "racist" after some drunken remarks in a barroom confrontation with some "old wave" rockers — Steve Stills' band. Costello's revenge appears to have been to avoid America for a bit.
His absence from North America since the ''Armed Forces'' tour seems the result of incidents on that last tour, which found Costello fending off charges of being a "racist" after some drunken remarks in a barroom confrontation with some "old wave" rockers — Stephen Stills' band. Costello's revenge appears to have been to avoid America for a bit.


But as far as Costello's fans are concerned, they are oh-so happy for his return. And if Elvis deserted the continent nearly two years ago seeming the perfect embodiment of his angry-young-man image, he's returned graceful, talkative, even smiling. One suspects that this is actually the real Costello — more like the romantic sensibility behind his songs and less the touchy presence some took him for.
But as far as Costello's fans are concerned, they are oh-so happy for his return. And if Elvis deserted the continent nearly two years ago seeming the perfect embodiment of his angry-young-man image, he's returned graceful, talkative, even smiling. One suspects that this is actually the real Costello — more like the romantic sensibility behind his songs and less the touchy presence some took him for.
Line 19: Line 20:
But creating a new mold is hardly his greatest contribution, because one cannot ignore Costello's music. On this tour be highlighted cuts from all his albums while giving his fans a healthy introduction to his latest — ''Trust'' — and tossing in a few surprises.
But creating a new mold is hardly his greatest contribution, because one cannot ignore Costello's music. On this tour be highlighted cuts from all his albums while giving his fans a healthy introduction to his latest — ''Trust'' — and tossing in a few surprises.


In [[Concert 1981-01-20 Nashville|Nashville]] he delighted his college audience by including some American roots: an inspired cover of the old Patsy Cline hit "[[He's Got You|I Got the Mansion, But He Got You]]," his own "[[Stranger In The House|Stranger in the House]]" (which Costello cut with George Jones) and some Memphis R&B on such standards as "[[Help Me|Hold Me]]" and "[[Little Sister]]."  
In [[Concert 1981-01-20 Nashville|Nashville]] he delighted his college audience by including some American roots: an inspired cover of the old Patsy Cline hit "I Got the Mansion, But He Got You," his own "Stranger in the House" (which Costello cut with George Jones) and some Memphis R&B on such standards as "Hold Me" and "Little Sister."  


His Attractions are an incomparable backing band, fashioning surrealistic rock structures around Costello's songs. Steve Naive is one of the most inventive keyboardists in rock; together with Bruce and Pete Thomas' taut rhythm work the quartet sounds bigger than many bands with a much less "minimalist" outlook. Added treats were the addition of Martin Belmont (from The Rumour) on guitar for the second half of the set, and even an E.C. guitar solo.
His Attractions are an incomparable backing band, fashioning surrealistic rock structures around Costello's songs. Steve Naive is one of the most inventive keyboardists in rock; together with Bruce and Pete Thomas' taut rhythm work the quartet sounds bigger than many bands with a much less "minimalist" outlook. Added treats were the addition of Martin Belmont (from The Rumour) on guitar for the second half of the set, and even an E.C. guitar solo.
Line 41: Line 42:


{{cx}}
{{cx}}
{{tags}}[[Concert 1980-08-23 Bowmanville|Heatwave Festival]] {{-}} [[Armed Forces]] {{-}} [[:Category:Columbus incident|Columbus incident]] {{-}} [[Stephen Stills|Stephen Stills band]] {{-}} [[Trust]] {{-}} [[Concert 1981-01-20 Nashville|Nashville]] {{-}} [[Patsy Cline]] {{-}} [[He's Got You]] {{-}} [[Stranger In The House]] {{-}} [[George Jones]] {{-}} [[Help Me]] {{-}} [[Little Sister]] {{-}} [[The Attractions]] {{-}} [[Steve Nieve|Steve Naive]] {{-}} [[Bruce]] {{-}} [[Pete Thomas]] {{-}} [[Martin Belmont]] {{-}} [[The Rumour]] {{-}} [[Squeeze]] {{-}} [[The Beatles]] {{-}} [[Elvis Presley]] {{-}} [[Squeeze: East Side Story]] {{-}} [[Jools Holland]] {{-}} [[Paul Carrack]] {{-}} [[Glenn Tilbrook]] {{-}} [[Chris Difford]] {{-}} [[Gilson Lavis]] {{-}} [[John Bentley]]
{{cx}}


{{Bibliography notes header}}
{{Bibliography notes header}}
Line 47: Line 52:
'''The Salina Journal, Sunflower, March 1, 1981
'''The Salina Journal, Sunflower, March 1, 1981
----
----
''Pop Scene Service'' profiles Elvis Costello and reports on his concert with [[The Attractions]], Tuesday, [[Concert 1981-01-20 Nashville|January 20, 1981]], Langford Auditorium, Vanderbilt University, Nashville, TN.
''Pop Scene Service'' profiles Elvis Costello and reports on his concert with [[The Attractions]], Tuesday, [[Concert 1981-01-20 Nashville|January 20, 1981]], Langford Auditorium, Vanderbilt University, Nashville, Tennessee.


{{Bibliography images}}
{{Bibliography images}}


[[image:1981-03-01 Salina Journal Sunflower page 07 clipping 01.jpg|360px|border]]
[[image:1981-03-01 Salina Journal Sunflower page 07 clipping 01.jpg|380px]]
<br><small>Clipping.</small>
<br><small>Clipping.</small>


<small>Page scan.</small><br>
[[image:1981-03-01 Salina Journal Sunflower page 07.jpg|x120px|border]]
[[image:1981-03-01 Salina Journal Sunflower page 07.jpg|x120px|border]]
<br><small>Page scan.</small>


{{Bibliography notes footer}}
{{Bibliography notes footer}}
Line 64: Line 69:
*[http://www.salina.com Salina.com]
*[http://www.salina.com Salina.com]
*[http://en.wikipedia.org/wiki/The_Salina_Journal Wikipedia: The Salina Journal]
*[http://en.wikipedia.org/wiki/The_Salina_Journal Wikipedia: The Salina Journal]
<!--
<!-- 437913 -->
https://www.newspapers.com/newspage/437913/
-->


{{DEFAULTSORT:Salina Journal 1981-03-01}}
{{DEFAULTSORT:Salina Journal 1981-03-01}}
Line 73: Line 76:
[[Category:Salina Journal| Salina Journal 1981-03-01]]
[[Category:Salina Journal| Salina Journal 1981-03-01]]
[[Category:Newspaper articles]]
[[Category:Newspaper articles]]
[[Category:English Mugs Tour| Salina Journal 1981-03-01]]
[[Category:1981 concert reviews]]
[[Category:English Mugs Tour|~Salina Journal 1981-03-01]]

Latest revision as of 23:01, 31 January 2020

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


Salina Journal

Kansas publications

US publications by state
  • ALAKARAZCA
  • COCTDCDEFL
  • GAHI   IA      ID      IL
  • IN   KSKYLA   MA
  • MDME   MIMNMO
  • MSMTNC  ND  NE
  • NHNJNMNVNY
  • OHOKORPARI
  • SCSDTNTXUT
  • VAVTWAWIWY

-

Elvis Costello is back on the rock scene


Pop Scene Service

We haven't seen much of Elvis Costello on this continent lately, aside from his appearance at Canada's Heatwave Festival in August, which makes his sudden plunge back into the concert scene all that much more surprising. But then again, Costello's never been one to conform to anybody's expectations.

His absence from North America since the Armed Forces tour seems the result of incidents on that last tour, which found Costello fending off charges of being a "racist" after some drunken remarks in a barroom confrontation with some "old wave" rockers — Stephen Stills' band. Costello's revenge appears to have been to avoid America for a bit.

But as far as Costello's fans are concerned, they are oh-so happy for his return. And if Elvis deserted the continent nearly two years ago seeming the perfect embodiment of his angry-young-man image, he's returned graceful, talkative, even smiling. One suspects that this is actually the real Costello — more like the romantic sensibility behind his songs and less the touchy presence some took him for.

The pressures of new-found stardom probably made Costello edgy as he resisted the seductive aura of the star trip, determined to remake the mold of a pop star. And be appears finally to have succeeded.

But creating a new mold is hardly his greatest contribution, because one cannot ignore Costello's music. On this tour be highlighted cuts from all his albums while giving his fans a healthy introduction to his latest — Trust — and tossing in a few surprises.

In Nashville he delighted his college audience by including some American roots: an inspired cover of the old Patsy Cline hit "I Got the Mansion, But He Got You," his own "Stranger in the House" (which Costello cut with George Jones) and some Memphis R&B on such standards as "Hold Me" and "Little Sister."

His Attractions are an incomparable backing band, fashioning surrealistic rock structures around Costello's songs. Steve Naive is one of the most inventive keyboardists in rock; together with Bruce and Pete Thomas' taut rhythm work the quartet sounds bigger than many bands with a much less "minimalist" outlook. Added treats were the addition of Martin Belmont (from The Rumour) on guitar for the second half of the set, and even an E.C. guitar solo.

Good-naturedly chatting with his audiences, Costello seems determined to show the world who be really is. Having watched him carefully from the beginning in numerous situations, we always figured be was far less the misanthrope than his public image made him out to be. His antagonism towards a generally supportive press hasn't helped matters any, but one senses that Costello wants to remain a normal bloke (with exceptional talents) and not be harassed.

Given that this tour proves Costello to be as strong as any rock act out there, his future stardom seems to be sealed. Now that the real Elvis Costello is stepping out, we're inclined to think that America might give him the "Trust" be wants.


Costello's special guests on this recent tour were another bright band of future British stars, Squeeze. With the intelligent pop-rock quintet playing the Beatles to Elvis' Elvis, this seemed the perfect bill for anyone interested in the future of rock 'n' roll.

Squeeze spun out a number of new and (as usual) wickedly captivating songs from their upcoming album — produced by Costello — garnering legitimate calls for a second encore both nights we saw the show.

Since the departure of keyboardist Jools Holland (to form his own band, The Millionaires), Squeeze has been the object of much speculation, especially after they placed an ad in a British music paper looking for "the best keyboard player in England."

They seem to have found him. Paul Carrack adds a new element to this wonderful band, filling Jools' shoes with a different twist. He also brings to their repertoire his well-known hit song, "How Long," which Carrack wrote when be was with Ace.

The band's songwriting duo — Glenn Tilbrook and Chris Difford — remain as pungent and witty as ever, while the ensemble work with drummer Gilson Lavis and bassist John Bentley has grown to an exciting level of precision and energy.

Squeeze was named a band to watch last year by just about everybody who does that sort of thing. Keep your eyes and ears peeled for them in 1981.


Tags: Heatwave FestivalArmed ForcesColumbus incidentStephen Stills bandTrustNashvillePatsy ClineHe's Got YouStranger In The HouseGeorge JonesHelp MeLittle SisterThe AttractionsSteve NaiveBrucePete ThomasMartin BelmontThe RumourSqueezeThe BeatlesElvis PresleySqueeze: East Side StoryJools HollandPaul CarrackGlenn TilbrookChris DiffordGilson LavisJohn Bentley


-

The Salina Journal, Sunflower, March 1, 1981


Pop Scene Service profiles Elvis Costello and reports on his concert with The Attractions, Tuesday, January 20, 1981, Langford Auditorium, Vanderbilt University, Nashville, Tennessee.

Images

1981-03-01 Salina Journal Sunflower page 07 clipping 01.jpg
Clipping.

Page scan.
1981-03-01 Salina Journal Sunflower page 07.jpg

-



Back to top

External links