West Chester University Quad, March 14, 1989: Difference between revisions
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<center><h3> Elvis proves he is King </h3></center> | <center><h3> Elvis proves he is King </h3></center> | ||
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''Spike'' debuts the first sampling of the much publicized collaboration with Paul McCartney, including "Pads, Paws and Claws" and the first single, "Veronica," a catchy, upbeat pop song that is not at all indicative of the rest of the album. More from that collaboration is expected to appear on McCartney's forthcoming LP. | ''Spike'' debuts the first sampling of the much publicized collaboration with Paul McCartney, including "Pads, Paws and Claws" and the first single, "Veronica," a catchy, upbeat pop song that is not at all indicative of the rest of the album. More from that collaboration is expected to appear on McCartney's forthcoming LP. | ||
Unlike McCartney, who tends to sing about such homey and pastoral subjects as his wife, his children and his farm in Scotland, Costello laments about lost love in "Baby Plays Around | Unlike McCartney, who tends to sing about such homey and pastoral subjects as his wife, his children and his farm in Scotland, Costello laments about lost love in "Baby Plays Around," offers scathing commentary on Anglo-lrish relations in "Any King's Shilling," and cynically mourns the imminent death of British Prime Minister Margaret Thatcher in "Tramp the Dirt Down." | ||
It's not all doom and gloom though in ''Spike''. In "God's Comic," Costello uses his witty cynicism to create a hysterical image of God on a waterbed ''"drinking a cola of a mystery brand, reading an airport novelette, listening to Andrew Lloyd-Webber's 'Requiem'."'' | It's not all doom and gloom though in ''Spike''. In "God's Comic," Costello uses his witty cynicism to create a hysterical image of God on a waterbed ''"drinking a cola of a mystery brand, reading an airport novelette, listening to Andrew Lloyd-Webber's 'Requiem'."'' |
Latest revision as of 21:00, 20 October 2016
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