Uncut, June 2001: Difference between revisions
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{{:Bibliography index}} | {{:Bibliography index}} | ||
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<center><h3> For The Stars </h3></center> | <center><h3> For The Stars </h3></center> | ||
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<center> Chris Roberts </center> | <center> Chris Roberts </center> | ||
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'''Another unlikely collaboration for the prolific Costello <br> | |||
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'''Another unlikely collaboration for the prolific Costello | |||
{{Bibliography text}} | {{Bibliography text}} | ||
Elvis seems to have become addicted to working with his heroes, from McCartney to Bacharach to the Brodskys. The ploy of friendly rivalry's beginning to grate a little. While teaming up with Burt resulted in some skilful, haunted new songs (one of which is rehashed here) with a strong central feel, this tentative, respectful pairing, with the acclaimed opera singer "whose voice affected me like no other," achieves only a rag-bag of covers and Costello songs, mostly sung by her. Elvis croons on just half a dozeen, so unless you're into Von Otter's vocals — they're a sweet, showy, acquired taste — this is an incurable romantic's curate's egg. | Elvis seems to have become addicted to working with his heroes, from McCartney to Bacharach to the Brodskys. The ploy of friendly rivalry's beginning to grate a little. While teaming up with Burt resulted in some skilful, haunted new songs (one of which is rehashed here) with a strong central feel, this tentative, respectful pairing, with the acclaimed opera singer "whose voice affected me like no other," achieves only a rag-bag of covers and Costello songs, mostly sung by her. Elvis croons on just half a dozeen, so unless you're into Von Otter's vocals — they're a sweet, showy, acquired taste — this is an incurable romantic's curate's egg. |