Miami Hurricane, September 10, 1982: Difference between revisions
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{{:Miami Hurricane index}} | {{:Miami Hurricane index}} | ||
{{:Florida publications index}} | {{:Florida publications index}} | ||
{{:US publications by state index}} | |||
{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3> Elvis in Florida beyond all belief </h3></center> | <center><h3> Elvis in Florida — beyond all belief </h3></center> | ||
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<center> Glenn Rickard and Holly Gleason </center> | <center> Glenn Rickard and Holly Gleason </center> | ||
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After seeing that, Costello barred no holds and went on to deliver one of the finest shows ever staged at the Sunrise. He rang every ounce of emotion from every song he sang. whether it was the desperate sadness of "Kid About It" or the sheer joy of "You Belong To Me." | After seeing that, Costello barred no holds and went on to deliver one of the finest shows ever staged at the Sunrise. He rang every ounce of emotion from every song he sang. whether it was the desperate sadness of "Kid About It" or the sheer joy of "You Belong To Me." | ||
Costello displayed his lyrical prolificy. He is a man of subtle nuances | Costello displayed his lyrical prolificy. He is a man of subtle nuances, who is able to reveal the hidden meanings of his lyrics when in concert. | ||
When Costello left the stage for the first time, he did so with a witty rendition of "Imperial Bedroom," a song, as yet, unavailable in the United States. | When Costello left the stage for the first time, he did so with a witty rendition of "Imperial Bedroom," a song, as yet, unavailable in the United States. | ||
The crowd went wild and Costello | The crowd went wild and Costello returned. It was almost like a conquering hero returning home from battle; the roar was deafening. "This is our new single. It's called 'Man Out of Time,'" he said. Then he played once again. | ||
"Mystery Dance" soon followed and the audience rose to its feet, where the majority remained for the rest of the show. Those who could find the room were dancing in the aisles. | "Mystery Dance" soon followed and the audience rose to its feet, where the majority remained for the rest of the show. Those who could find the room were dancing in the aisles. | ||
Costello took his second exit, | Costello took his second exit, followed, of course, by a second encore. "Why Don't You Love Me Like You Used To?," "Two Steps Away From The Blues" and "Tonight the Bottle Let Me Down," offered a more country-tinged turn to the concert. Then Costello broke into "Almost Blue," a song he hopes Frank Sinatra will record. | ||
The up-tempo, "Pump It Up," ended the musical part of the concert, but the applause remained. | The up-tempo, "Pump It Up," ended the musical part of the concert, but the applause remained. | ||
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*[http://www.themiamihurricane.com/ TheMiamiHurricane.com] | *[http://www.themiamihurricane.com/ TheMiamiHurricane.com] | ||
*[http://en.wikipedia.org/wiki/The_Miami_Hurricane Wikipedia: The Miami Hurricane] | *[http://en.wikipedia.org/wiki/The_Miami_Hurricane Wikipedia: The Miami Hurricane] | ||
*[http://merrick.library.miami.edu/cdm/ref/collection/ | *[http://merrick.library.miami.edu/cdm/ref/collection/asu0053/id/16259 merrick.library.miami.edu] | ||
{{DEFAULTSORT:Miami Hurricane 1982-09-10}} | {{DEFAULTSORT:Miami Hurricane 1982-09-10}} |
Latest revision as of 05:55, 19 February 2020
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