Indianapolis Star, October 9, 1983: Difference between revisions

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DON'T GET the idea that Costello was angry or sarcastic. During a 90-minute interview, other aspects of his personality emerged as strongly; the same humor, compassion, combativeness that are also woven into his songs.  
DON'T GET the idea that Costello was angry or sarcastic. During a 90-minute interview, other aspects of his personality emerged as strongly; the same humor, compassion, combativeness that are also woven into his songs.  
<br><br><br><br><br><br><br><br><br><br>
<br><br><br><br><br><br><br><br><br><br>


{{cx}}
For someone whose image has almost overshadowed his music, Costello is unusually unaffected offstage. He showed up for the interview, his face so wet that he looked as if he had just gotten out of the shower. He had just walked in blistering heat the two miles from Tower Records where he stocked up on some  cassettes.
 
In the same vein, Costello was as eager to discuss his favorite record or musicians (the Neville Brothers, Style Council, Aztec Camera, Squeeze were among the ones cited) as his own work.
 
Costello is pleased that his new single is doing well and that the album is shaping up as his biggest seller since “''Armed Forces'',” which went gold (more than 500,000 copies) in 1979.
 
THE BESPECTACLED singer said that he set out to make the production and material on “''Punch The Clock''” more accessible than last year’s “''Imperial Bedroom'',” a marvelously ambitious and complex album with sophisticated lyrics and classic melodies that resulted in some critics comparing him to Cole Porter.


{{rttc}}
(Costello’s reaction to the Porter comparison: “I’m not trying to be Cole Porter. I don’t live in a penthouse and walk around in a dinner jacket, waving a cigarette holder.”)


<br><br><br><br><br><br><br><br><br><br>
Costello denied the greater accessibility of “''Punch The Clock''” represented an artistic compromise. He believes that two of the new songs are among the best he has ever written: the stark, painfully ironic “Shipbuilding” (a look at British involvement in the Falklands War) and “Pills and Soap” (a sobering look at Britain’s tarnished ideals).


In fact, Costello is apparently going to break his pattern of recording an album a year – partly as a move to guard against being tempted to parlay the success of “''Punch The Clock''” in counterproductive ways.


{{tags}}[[Everyday I Write The Book]] {{-}}


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{{tags}}[[Everyday I Write The Book]] {{-}} [[Rolling Stone, September 1, 1983|Rolling Stone]] {{-}} [[Punch The Clock]] {{-}} [[Aaron Neville|The Neville Brothers]] {{-}} [[The Style Council]] {{-}} [[Aztec Camera]] {{-}} [[Squeeze]] {{-}} [[Armed Forces]] {{-}} [[Imperial Bedroom]] {{-}} [[Cole Porter]] {{-}} [[Shipbuilding]] {{-}} [[Pills And Soap]]
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[[Category:Indianapolis Star| Indianapolis Star 1983-10-09]]
[[Category:Indianapolis Star| Indianapolis Star 1983-10-09]]
[[Category:Newspaper articles]]
[[Category:Newspaper articles]]
[[Category:Transcription needed]]

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Elvis Costello hasn't lost his anger


Robert Hilburn / Los Angeles Times

HOLLYWOOD — Kathy, an assistant art director in nearby Santa Monica, has been a big Elvis Costello fan ever since he stormed offstage during his celebrated Santa Monica Civic concert in 1978.

She likes the fact that Costello, the most acclaimed rock songwriter of recent years, finally has his first U.S. hit single ever: the playful "Everyday I Write the Book." And, she'll probably be on hand for at least a couple of his upcoming local concerts.

But Kathy admits she is not quite as enthralled with Costello as she once was.

THE REASON: She thinks he made a mistake by breaking his long-standing press silence last year to explain that he is not really the angry young man the media - and his record company - first portrayed him as being. Kathy thought his testy personality and sarcastic barbs were actually endearing.

Well, Kathy can relax.

Costello, now 29 and with eight albums behind him, can still be angry. And oh-so sarcastic.

Just mention Rolling Stone magazine to him.

"Rolling Stone" he repeated contemptuously. "How often even do you see musicians on the cover of that magazine any more? They've just had three in a row?.....How nice of them! That's a rarity.

"All Rolling Stone is these days is Playboy magazine for the cocaine generation."

Costello was upset about a Rolling Stone review of his new album, "Punch The Clock." Though the reviewer called Costello the most "consistently interesting songwriter in rock," he also charged that Costello sometimes uses words pointlessly, just for the sake of a clever rhyme.

RETORTED COSTELLO, "I object to being told that I shouldn't use the English language just because the guy that reviewed the album isn't clever enough to think of using it himself. It's like they want you to make everything into a simplistic, idiot speak - the way most rock bands do."

Ouch!

When Kathy's comments about the "old, angry Elvis" were repeated, Elvis smiled knowingly.

"It's the same thing with some of the reviewers on this tour," he said. "Some of them have taken that same approach (about how they miss the angry Elvis on stage). It's like they're weeping over my passing or something.

"The truth is most of these people didn't like me when I was 'angry'. They probably weren't even at the shows. They were off listening to their (boring) Boston records."

DON'T GET the idea that Costello was angry or sarcastic. During a 90-minute interview, other aspects of his personality emerged as strongly; the same humor, compassion, combativeness that are also woven into his songs.

For someone whose image has almost overshadowed his music, Costello is unusually unaffected offstage. He showed up for the interview, his face so wet that he looked as if he had just gotten out of the shower. He had just walked in blistering heat the two miles from Tower Records where he stocked up on some cassettes.

In the same vein, Costello was as eager to discuss his favorite record or musicians (the Neville Brothers, Style Council, Aztec Camera, Squeeze were among the ones cited) as his own work.

Costello is pleased that his new single is doing well and that the album is shaping up as his biggest seller since “Armed Forces,” which went gold (more than 500,000 copies) in 1979.

THE BESPECTACLED singer said that he set out to make the production and material on “Punch The Clock” more accessible than last year’s “Imperial Bedroom,” a marvelously ambitious and complex album with sophisticated lyrics and classic melodies that resulted in some critics comparing him to Cole Porter.

(Costello’s reaction to the Porter comparison: “I’m not trying to be Cole Porter. I don’t live in a penthouse and walk around in a dinner jacket, waving a cigarette holder.”)

Costello denied the greater accessibility of “Punch The Clock” represented an artistic compromise. He believes that two of the new songs are among the best he has ever written: the stark, painfully ironic “Shipbuilding” (a look at British involvement in the Falklands War) and “Pills and Soap” (a sobering look at Britain’s tarnished ideals).

In fact, Costello is apparently going to break his pattern of recording an album a year – partly as a move to guard against being tempted to parlay the success of “Punch The Clock” in counterproductive ways.



Tags: Everyday I Write The BookRolling StonePunch The ClockThe Neville BrothersThe Style CouncilAztec CameraSqueezeArmed ForcesImperial BedroomCole PorterShipbuildingPills And Soap

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<< >>

Indianapolis Star, October 9, 1983


Robert Hilburn profiles Elvis Costello.

(Variations of this piece ran in the Hartford Courant, Indianapolis Star, Los Angeles Times, Sarasota Herald-Tribune, Wilmington News Journal and others.)

Images

1983-10-09 Indianapolis Star page 7E clipping 01.jpg
Clipping.


Page scan.
1983-10-09 Indianapolis Star page 7E.jpg

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