New Gig Thread
- Otis Westinghouse
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This is a pretty similar set to the one I saw. the Johnny Clash rewprking of Folsom Prison Blues to the words of Pinball Wizard was great, as was the following Clash indebted song, with a chorus based on Complete Control and nice refs to Garageland and I'm So Bored WIth The USA in it. hs books is dedicated to The Clash, linking with a lovely story he told when he praises his audience about how he worked in an office with racist, sexist, National Front sympathising homophobes, and was distressed by their views, but when he saw The Clash at a Hackney Rock Against Racism event, he realised he was one of many, and the next Monday it was time to stand up for his own beliefs.
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- Who Shot Sam?
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Otis, I'm reading that Billy Bragg book now (won a copy from YepRoc when I ordered the Volume 2 box set). Written with a great deal of passion and a fair amount of research behind it. He can digress at times, but it gives you a very good sense of the man and where he's from.
Glad you liked the show. He is high on my list of musicians I want to see.
Glad you liked the show. He is high on my list of musicians I want to see.
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- Otis Westinghouse
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I assumed you would have as a big fan! I wonder how many gigs he's played. Glad the book is good, it looked it froma flip through, and he comes across as very smart and articulate as an orator (and BBC Radio 4 commentator on all things to do with natinal identity), so you'd expect that to be reflected in the writing.
There's more to life than books, you know, but not much more
- verbal gymnastics
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Otis - I think you owe me big time
I told you! I went to see him on Saturday in Brighton and he told a story about his voice cracking up and it culminated with his manager saying "Don't worry Bill, no one comes to hear you sing!".
He was absolutely brilliant on Saturday and he did a cover of The Jam's That's Entertainment. He asked the audience to choose a song which was either The Jam or The Carpenters (which was the song Superstar - and he sang most of it anyway!). No prizes for guessing which won the vote. He said that at Cambridge "the bastards made me sing Chris de Burgh!" which I suspect was a joke. I had front row seats and when he came out for the first encore I shouted out "Lady in red" which drew a laugh from the crowd and had Billy look at me and reply. I have a great admiration for him. He can do no wrong in my book.
On Friday night I had the other end of the musical spectrum when I saw George Michael at Wembley. The show was fantastic and there's no doubt that he's got a great voice. I enjoyed it more than I thought I would but that's also down to Wembley Arena being a far better venue now that it's had a total revamp. I have some awful memories of being there but it's good now. Even our cheap (£40) seats were a good view.
Last weekend due to the postponement of the meet up I went to see Glenn Tilbrook who as ever was very entertaining and a lot of fun. He ended with a load of women getting up on stage to dance while he sang Tom Jones' It's Not unusual.
![Laughing :lol:](./images/smilies/icon_lol.gif)
He was absolutely brilliant on Saturday and he did a cover of The Jam's That's Entertainment. He asked the audience to choose a song which was either The Jam or The Carpenters (which was the song Superstar - and he sang most of it anyway!). No prizes for guessing which won the vote. He said that at Cambridge "the bastards made me sing Chris de Burgh!" which I suspect was a joke. I had front row seats and when he came out for the first encore I shouted out "Lady in red" which drew a laugh from the crowd and had Billy look at me and reply. I have a great admiration for him. He can do no wrong in my book.
On Friday night I had the other end of the musical spectrum when I saw George Michael at Wembley. The show was fantastic and there's no doubt that he's got a great voice. I enjoyed it more than I thought I would but that's also down to Wembley Arena being a far better venue now that it's had a total revamp. I have some awful memories of being there but it's good now. Even our cheap (£40) seats were a good view.
Last weekend due to the postponement of the meet up I went to see Glenn Tilbrook who as ever was very entertaining and a lot of fun. He ended with a load of women getting up on stage to dance while he sang Tom Jones' It's Not unusual.
Who’s this kid with his mumbo jumbo?
- bambooneedle
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Perhaps you could do a list of the Top 10 reasons why you think Billy Bragg is a phony
But make sure you do your Christmas stuff first or else Santa will know you've been naughty and not nice.
I think I can safely say that from what I know of him and from when I've met him he is 100% genuine. Perhaps you're getting him mixed up with Billy Graham.
![Laughing :lol:](./images/smilies/icon_lol.gif)
I think I can safely say that from what I know of him and from when I've met him he is 100% genuine. Perhaps you're getting him mixed up with Billy Graham.
Who’s this kid with his mumbo jumbo?
- so lacklustre
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- Who Shot Sam?
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- Jackson Monk
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bambooneedle wrote:Isn't Billy Bragg, like, you know... a bit of a phony? But perhaps I should start a new thread about it... just after I deal with Christmas stuff.
![Question :?:](./images/smilies/icon_question.gif)
![Confused :?](./images/smilies/icon_confused.gif)
Very strange. A more genuine guy you couldn't wish to meet. True to his beliefs and all round good bloke IMHO.
corruptio optimi pessima
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Are you kidding? He's obviously a con artist who's trying to indoctrinate people into lockstep, moderate socialism and make himself shitloads of money in the process. There is only one person on this earth-- no, in history-- who holds genuine and unsullied beliefs, and is capable of independent, uncorrupted thought or creativity. His name is Bambooneedle. I can't believe you haven't learned that by now. ![Very Happy :D](./images/smilies/icon_biggrin.gif)
![Very Happy :D](./images/smilies/icon_biggrin.gif)
- Jackson Monk
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- Mr. Average
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As usual, the Los Lobos show was beyond expectations. Incredible band, and their new album will almost certainly be the subject of much discussion in the months to come.
Opening band was the original War, now called the Low Riders Band:
Cisco Kid
The World is a Ghetto
Slippin' into Darkness
Low Rider
Me and Baby Brother
Why Can't We Be Friends
all covered plus some blistering solo work. Lee Oskar, the original harmonica player, was brilliant, and joined LL during the majority of their set. Lot's of fun. Great show. Great band
Opening band was the original War, now called the Low Riders Band:
Cisco Kid
The World is a Ghetto
Slippin' into Darkness
Low Rider
Me and Baby Brother
Why Can't We Be Friends
all covered plus some blistering solo work. Lee Oskar, the original harmonica player, was brilliant, and joined LL during the majority of their set. Lot's of fun. Great show. Great band
"The smarter mysteries are hidden in the light" - Jean Giono (1895-1970)
- bambooneedle
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Bragg just comes across to me as very self-servingly manipulative. He sounds like he's constantly trying to justify himself and convince himself of how "genuine" he is with this phony overearnest "sincerity". I find it hard to trust people like that.
I've heard live recordings of him and there are moments where he's all too obviously trying to milk some shallow crowd reaction about something from some pub crowd that he expects to just lap it up... It becomes almost self-parodic, especially with that overdone accent and all (i've heard it much less pronounced live), maybe some people find that entertaining.
An excerpt from: http://www.lipmagazine.org/articles/revitalvi_82.htm where he pretty nauseatingly selfreferences his "honesty"... barrrffff! -
Lip Magazine: An older video from the late 1980s, "Which Side Are You On," had you and fellow musicians touring the Southeast of the US in support of striking mine workers. One of the most interesting things about that video is the sheer diversity of your audiences: you were performing to equally enthusiastic audiences of miners, college kids, punks and [various] societal misfits. What do you think accounts for that kind of cross-cultural, cross-class appeal, and how important to you is it that you reach that kind of spectrum of listeners?
Billy Bragg: My theory is this; I'm not a political songwriter. I'm an honest songwriter. I try and write honestly about what I see around me now. There are quite a few honest songwriters out there writing about relationships and their own personality traits. But for some reason, once they step out of the bedroom, their honesty doesn't seem to come with them. My honesty just happens to extend out into the real world.
When I look at things around me, whether it's my personal relationships or whether it's what happens to be going on in the world, I'm forced by circumstances, particularly the circumstances in Britain in the 1980s, to respond in a way that questions what's happening, and that makes me write songs that have social commentary ... I guess it's the honesty that draws people in, whether I write honestly about my relationships or the situation in the world. That's my guess.
I've heard live recordings of him and there are moments where he's all too obviously trying to milk some shallow crowd reaction about something from some pub crowd that he expects to just lap it up... It becomes almost self-parodic, especially with that overdone accent and all (i've heard it much less pronounced live), maybe some people find that entertaining.
An excerpt from: http://www.lipmagazine.org/articles/revitalvi_82.htm where he pretty nauseatingly selfreferences his "honesty"... barrrffff! -
Lip Magazine: An older video from the late 1980s, "Which Side Are You On," had you and fellow musicians touring the Southeast of the US in support of striking mine workers. One of the most interesting things about that video is the sheer diversity of your audiences: you were performing to equally enthusiastic audiences of miners, college kids, punks and [various] societal misfits. What do you think accounts for that kind of cross-cultural, cross-class appeal, and how important to you is it that you reach that kind of spectrum of listeners?
Billy Bragg: My theory is this; I'm not a political songwriter. I'm an honest songwriter. I try and write honestly about what I see around me now. There are quite a few honest songwriters out there writing about relationships and their own personality traits. But for some reason, once they step out of the bedroom, their honesty doesn't seem to come with them. My honesty just happens to extend out into the real world.
When I look at things around me, whether it's my personal relationships or whether it's what happens to be going on in the world, I'm forced by circumstances, particularly the circumstances in Britain in the 1980s, to respond in a way that questions what's happening, and that makes me write songs that have social commentary ... I guess it's the honesty that draws people in, whether I write honestly about my relationships or the situation in the world. That's my guess.
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Talk about self-parody... that's the funniest thing I've read since your last verbal mash-up.bambooneedle wrote:He sounds like he's constantly trying to justify himself and convince himself of how "genuine" he is with this phony overearnest "sincerity".
You will let us know, won't you, oh arbiter of all that is genuine and real and un-phony, when there's someone whom we can trust to be really REALLY real? Aside from yourself, of course?
PS, Saw Ron Sexsmith last night. Now there's a guy you have to watch out for. It was a great show until I realized he was obviously trying to milk the sentiments of the audience and trick us into thinking we knew what we were listening to. Most people were blind and deaf to the charade, but knowing better, I was not taken in.
- Who Shot Sam?
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I'm jealous. I was planning to see Ron tomorrow at the Bowery Ballroom, but family commitments have intervened.Mechanical Grace wrote:PS, Saw Ron Sexsmith last night. Now there's a guy you have to watch out for. It was a great show until I realized he was obviously trying to milk the sentiments of the audience and trick us into thinking we knew what we were listening to. Most people were blind and deaf to the charade, but knowing better, I was not taken in.
As for Bragg, I've just finished trawling through the entirety of Volume II and I have to say that, though it might be fair to question the quality of some of Bragg's output, IMO you would be hard pressed to find a musician who is less of a phony than BB.
Mother, Moose-Hunter, Maverick
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- Otis Westinghouse
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- Otis Westinghouse
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And he shares a birthday with Bowie, lucky boy. Born in the same year as me too. Life wouldn't be the same without either of them.
Last edited by Otis Westinghouse on Thu Jan 11, 2007 11:24 pm, edited 1 time in total.
There's more to life than books, you know, but not much more